Lugging little more than their clothing, four Hispanic children rushed toward a green 1978 Bonneville to continue their race across Texas. They were evading immigration and law enforcement authorities for fear of being separated from one another and their only caretaker, an adult brother who is also an illegal immigrant.
And then the director shouted, “Cut!”
It was another scene in Pasadena resident Baldemar Rodriguez’s first feature film, El Nacional. He is the director, a lead actor, co-pro
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